ST MARY THE VIRGIN. Big W tower with angle buttresses, battlements and a higher embattled stair turret. Stone nave with early C16 brick buttresses and brick clerestory. The clerestory windows of two lights. The nave roof is of hammerbeam type. The braces up to the collar-beams form four-centred arches. The chancel was rebuilt in 1859 in an all too familiar style not usual for additions to old churches: stone with much white brick and a little flint - in the lancet style. Now boarded off from inside. - FONT. Plain, octagonal, C13, on nine supports.
PELDON. It lies scattered on the high ground between Colchester and Mersey Island. The timber-framed house near the church is the wing of a medieval house which has disappeared, and there are two medieval farms a mile away. The inn has panelled doors of the 17th century, and comes into Baring Gould’s romance Mehalah. The church tower is a bold stone structure of 1400, with flint crosses and two nail-studded doors, both 600 years old. Grotesques jut out from the corners below the embattled parapet. The oldest possession of the church is the Norman font, and there are windows and doorways which have been here 600 years; but the best thing is the 400-year-old hammerbeam roof of the nave.
Simon K -
We were heading through the earthquake zone to the south of Colchester, visiting a succession of small, pretty and mostly rebuilt churches. Unusually, Peldon's church sits in the heart of its village.
Simon K -
We were heading through the earthquake zone to the south of Colchester, visiting a succession of small, pretty and mostly rebuilt churches. Unusually, Peldon's church sits in the heart of its village.
Open. A most curious mix - the chancel collapsed in the earthquake and
the nave was damaged, but the ragstone tower withstood the shock. The
nave has been repaired in redbrick, a part of the former ragstone
south wall remaining as a patch. A truncated chancel has been added
in a rather alarming yellow brick and flint rubble mix. However, when
you step inside the star of the show is a super 15th century
hammerbeam roof, making this a bright hall of a church with no stained
glass and crisp white walls. I liked it a lot. You wondered why they
didn't just block the east end, as the effect would have been even
more dramatic. This is obviously a church which is intended to look
nice, and it was a pleasure to be in here on such a sunny day. On the
north wall is a large mosaic by local people of the Peldon madonna.
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