Chrishall

I ran out of time when I visited Chrishall - I had to get back for the youngest - I'll re-visit and do interiors. The south side of the churchyard has been more or less cleared of headstones and the north side is predominately modern. Fantastic battlements though.

I returned the other day, October 2010, and borrowed the key (after having to explain my reason to a deeply suspicious keyholder). For the de la Pole monument and brass alone it was worth the trip!

HOLY TRINITY. Quite a large church, on a hill, and on its own The material is pebble-rubble. C13 remains are the responds of the tower arch and of an arch at the E end of the N arcade. The rest is all Perp, the diagonal buttresses, and the flint and stone chequered battlements of the W tower (spire taken down in 1914), the battlements nearly all round the church (not N aisle) and most of the windows, and also the aisle arcades. These have an elongated semi-polygonal section without capitals and only towards the arches small semi-polygonal shafts with capitals. - FONT. Plain, of c. 1300. - PAINTING Large copy of Rubens’ Adoration of the Magi of 1624 at Antwerp. -  PLATE. Cup and Paten on foot of 1686. - MONUMENTS. Effigy of a Lady in a recess with depressed segmented arch and battlements; late C14. - Brass to Sir John de la Pole and wife, c. 1380. Figures, 5 ft tall, under a tripartite arch with thin side buttresses, an uncommonly important and satisfying piece. - Brass to a woman, c. 1450 (12 ins. long). - Brass to a man and wife, c. 1480 (18 ins. long; good).

Arthur Mee again:

CHRISHALL. It is charming with thatched and timbered cottages 300 years old, a gabled farmhouse of Shakespeare's day and a 15th century inn. It has, too, an ancient site that leaves us guessing, a mound surrounded by a moat still with water in it. Standing finely near a group of white cottages is the battlemented church, built by 15th century men who kept the thick Norman walls at the base of the tower, but made a fine new tower arch. On her tomb lies a stone lady with a perky dog at her feet; but the chief pride of the church must be in its brasses, one magnificent indeed. It shows John and Joan de la Pole of the 14th century, and, with its rich triple canopy, is one of the finest brasses in this country. John, wearing armour and a tunic, is hand in hand with Joan, who, with her pretty headdress and close-fitting gown, is a very captivating lady. At their feet are a dog and a smiling lion. Two other brasses show 15th century people, a lady with a high waist and a veil, and a man and his wife kneeling. For 600 years children have been baptised at this font; and there is a 16th century roof with Tudor roses over the north aisle, a fine modern kingpost roof in the chancel, pews with woodwork 400 years old, and lovely carvings of kneeling women.

Flickr set.